Wednesday, June 30, 2010


Mally Skok, an interior designer, felt the pull of fabric design over 10 years ago. When she went for a visit with someone she long admired for his British style sense, Robert Kime, the spark was ignited. After going to his London shop she realized textiles were an area she loved, so she began collecting ikat fabrics at antique stores and fairs. While she continued to design interiors in Lincoln, Massachusetts, she felt the pull towards doing her own line.
After an inspiring trip to India with a friend, she got the urge to begin painting designs for fabrics of her own. In 2009, the India Collection was born. She teamed up with Peter Fasano and her fabrics are hand screened in his Great Barrington, Massachusetts studio. She decided to keep the fabric production local, working with the artisans at the Fasano studio, and has forged ahead. Mally has used Peter's fabrics in her design projects over the years, and felt his studio's knowledge and expertise made it the perfect fit for her. They can do custom colors as well as outdoor fabrics. It is carried at Brunschwig and Fils, check them out!

The India Collection:

A chic blue and white print with a wide border is an instant favorite of mine

The new Ikat Collection:

Monday, June 28, 2010


"Taste is relative, but to be positive and vital it must respect the past, accept the present and look forward with enthusiasm to the future."
-Eleanor McMillen Brown, from Sixty Years of Interior Design

Christine Grace and Elizabeth Pyne head up McMillen Plus. Together, they take a younger clientele through the design experience, guiding them to stylish and fresh fabrics and furniture replete with the service and attention to detail McMillen is so known for. Established in 1924, McMillen is one of the oldest American design firms still operating today. By combining great style with business acumen, Eleanor was one of the first ladies of her generation to study interior design, and became a force in the industry. After three years at Parsons in New York and Paris she put out her shingle in a townhouse on 55th Street. One of her great strengths was the way she arranged furniture in a welcoming way. Albert Hadley, Mark Hampton, and Kevin McNamara worked there, and she allowed them to get credit for the work they did. With this history and service, McMillen has a way to attract the sort of client they always have. But now they are speaking to a new generation, the client that wants great design and ideas while leading a less formal lifestyle. You may have seen the House Beautiful article about the firm, explaining their important historical influence.
When I heard about the new division, I instantly wanted to learn more about it. Elizabeth is the third generation of “Sherrill” women – her grandmother, mother, and now she works at McMillen, which is a corporation, and owned by the partners of the firm. Elizabeth and I had both majored in art history and attended Trinity College, and her mother Ann went to my high school, so I reached out to her to get the story.

You recently joined McMillen, where your mother and grandmother are designers.

I joined McMillen seven months ago in November.

What did your grandmother teach you about design growing up? What is the best advice she ever gave you about design?

My grandmother has never sat me down to “teach” me. (That has been my mother’s role. And she is a fantastic teacher!) However I have learned by observing my grandmother in action:
My grandmother is always dreaming up new schemes. Ever since I was little, I remember her making additions to her houses and coming up with new projects. And she is always acquiring new objects for her houses (and all of ours), and building onto existing rooms. She changes her mind quickly and even at her age, she embraces new ideas that I never thought she would.

My grandmother (and mother) instilled in me the importance of longevity in design: One of my earliest memories is of choosing my bed (lace canopy) for my room at 580 Park Avenue. I was dying to have a bed where the canopy was gathered into a huge gold crown. And I remember my mother saying to me, “You can have it if you really want, but I think that you will tire of that gold crown in a few years, and then you will be stuck with something that you don’t like.” It seems very simple, and obvious, but I never forgot it. Whenever I buy something for myself, or I am looking for a client, I really try and think of the long term: is this a fabric that will get tiring after a while, is this a rug that can be reused in another space? And this type of thinking is most important, I think, for my clients, some of who are in rentals or are in smaller apartments. I encourage them to invest in things now that they can see themselves with for a long time and that could be transferred to other spaces.

How did growing up in and around beautiful, well designed interiors affect your sense of style and eye?

It spoiled my eye! I can’t help liking things that are well crafted. I used to lie in my bed in the mornings and run my fingers up and down my wallpaper, feeling the raised pigments. Today, I am so disappointed with wallpapers that are flat-feeling. Now that I’ve learned something about textiles and wallpaper, I realize that my old wallpaper was made with something like 28 screens. I think that I am more able to think of things in terms of schemes. Whenever I see an object that I love I immediately think: but how could I fit this into the scheme that I am working on? I am fascinated by the way things are made. When I was a little girl, I used to unravel the bullion fringe of our living room ottoman because I was so curious to see how the threads were twisted and woven together.

Your tastes run classic with a penchant for French 30's and 40's accents. Where do you think that came from?

I like those pieces because they are modern in feel, but they are also whimsical, with little hand-made details.

You studied abroad and traveled a great deal in Europe. What inspired and influenced you most?

What fascinates me about Europe – Italy especially – is the way that masterpieces are a part of the fabric of everyday life. And in Europe I get a sense that there are layers: civilizations and generations building upon one another. In Venice for example, the church of Madonna dell’ Orto is a 14th and 15th century structure; inside of it there are these huge canvasses painted by Tintoretto in the 16th century; the organ over the entrance of the church was built in the late 19th century; and now, in the 21st century, they continue to hold services there. And I love interiors that incorporate works of art and that have that sense of layering.

Studying art, especially old masters, was your passion. What made you switch tracks?

Art was, and still is, my passion. I love beautiful things. But I don’t think that my passion was just for old masters, or even paintings. Art for me is anything that is beautiful and moving: whether it’s the brilliant hues in a masterpiece by Bellini or the deep purple of a Manuel Canovas linen. I was drawn to interior design because now I have a chance to create beauty in interiors, instead of just studying it, or selling it.

With the starting of a younger division McMillen Plus, what are the goals of the new team and what is your focus?

The goal of McMillen Plus is to capture a younger client. One of our problems is that people, especially my age (29), think that McMillen is a little too “venerable” for them, and we are trying to counter that reputation.

However, we also think that we can offer young clients a lot of expertise that a lot of young decorators cannot offer their clients, i.e., I am working with, and having my ideas vetted by, designers and architects who have been doing this for thirty years.

McMillen offers a white glove experience. How do you think people's lifestyles have changed from when your grandmother began?

We still aim to offer a white glove experience, as I think all decorators should. Our job is to make decorating as smooth and as painless as possible for our clients. I think that is a major reason for someone to hire an interior designer: to have someone else chase vendors, supervise an installation, etc. And I don’t think that that will ever change.

One thing that I think has probably changed is that people are more comfortable with casual and simple looks, as opposed to overly formal and elaborate. This is even apparent when you look at what I wear to work: when my grandmother first started the older ladies of the firm would actually wear white gloves to work, whereas now I wear blue jeans all the time. But that’s not to say people want sloppy. I think people will always want an elegant and coherent look, and that is something that McMillen has always excelled at.

What does home mean to you?

Home is a place where I am surrounded by things that I love.

I went to visit her at home, in the apartment she designed. I love all the femme elements, cream and rose colors, and beautiful art placed thoughtfully in the space. I caught her on a night she was going out, hence the dressy dress!

An entryway leads into the sitting room, where glam upholstered Hinson chairs flank the fireplace and plush sheepskin rugs add a dash of old Hollywood. Black and white elements tie the rooms together and colorful vases with family mementos fill the bookshelves.

In her sitting room, she used coordinating fabric at the windows to match the Osborne and Little wallpaper. Floral and feminine with butterflies, the feeling is light and fun. A great set of antique metal furniture form a sitting area and an trefoil ottoman floats next to it.

Her living room has ottomans and places to perch during a cocktail party. Amassed over years, art collection extends to every wall in her home, even her bathroom has a wonderful Wyoming landscape.

The Osborne and Little window treatment fabric ties the room together. To find accessories and other special things, she spends time hunting for great vintage pieces, including her new Parzinger benches, upholstered in the original yellow leather.

She wallpapered her kitchen and powder room off the back of the kitchen in a small black and white pattern.

Her girly pink and white bedroom where she has combined mid-century modern pieces with traditional elements is cozy.

A classic Rose Cummings coral wallpaper creates a fresh palette for her white accented bedroom. As an avid collector of paintings and drawings, botanical prints hang above Elizabeth's modern desk. After working in the Old Masters Department at Sotheby's, she made the change to design.

By adding built in cabinets she has storage galore. A fold-up vanity from Conran's takes up a small amount of space. A piece like this makes getting ready for a night out a treat.

Friday, June 25, 2010


Assouline, the glamorous coffee table book publishing company, is gracing the lively windows at Bloomingdales, to announce their new in-store shop. The shelves are packed with great reads. I wish I could see all my books this well, arranged on shelves to the ceiling.
Do you have a great summer reading list? What is it? Do tell! I am reading about interior designer and bon vivant Nicky Haslam's life in Redeeming Features-- too fabulous, natch.

Thursday, June 24, 2010


Congratulations to Elizabeth Carr of Quogue, LI she has won the pretty Karen Robertson blue shell box. It could work on this table actually---She captured the shore in her starfish, cut hydrangea from her garden, used her wedding china from Raynaud with chocolate and blue mats and napkins and heirloom silver flatware and napkin rings. Fresh and pretty!

Wednesday, June 23, 2010


Do you ever feel like you want to show your best work to attract new clients but are too swamped to do a blog or update your website? Now, you can create a company profile for your interior design firm and show your work in an online portfolio you create here, at Elle Decor Design Registry. Arranged by region, your work can be seen by’s half-million users, all over the country. If you sign up before Sept. 1st, registration free for the first year. Then there is a small maintenance fee after that date.

Making their website even more of a resource to access the magazine content and show your own design, here is a recent piece on designers that might find the service really helpful. You may too, check it out.

Elle Decor named 5 interior designers to watch and they have included the list on their website:

Fellow design blogger and San Francisco designer Grant K. Gibson uses neutral upholstery and classic antiques with French touches

Marie Turner trained with David Collins in London and works along side her mom

Jesse Carrier learned the ropes with Jeffrey Bilhuber and knows how to coordinate fine antiques and fresh fabrics

Brit Katie Lydon mixes name vintage with comfort in neutral palettes

LA based Oliver M. Furth works with great antiques and creates traditional classic homes


Let's get this party started! With a red die - cut graphic and white page you can run through the printer, tie it together with the grosgrain ribbon and it is party time. Comes in a pack of 10 from Kate's Paperie.

The blue streak-- Bodum's new Fyrcat Picnic Grill comes in some electric shades.

Jonathan Adler Paper Lanterns from his Happy Home Collection with Lifeguard Press. String them from the trees to swing in the breeze.

Photos courtesy Lifeguard Press
Or maybe you prefer Lilly Pulitzer Party pom poms also from Lifeguard Press.

I love these stylish Blue Dragon tin plates from Mottahedeh. Just like the porcelain version they do!

Photos courtesy of Mottahedeh
Turkish Garden tin plates, also from Mottahedeh when you are having an exotic themed party.
Photo courtesy MacKenzie- Childs
Wow, I actually like something from MacKenzie - Childs??? Yes, it is true, these tin Flower Market Plates are pretty great.

Photo courtesy of World Market
A Wicker Tray from World Market for passing out drinks.

I have always found Caspari to be a reliable source for great paper napkins and plates in fun patterns. I have been waiting for the right time to show these and the time is now! This season, they up the ante with new Paule Marrot and Dabney Lee Collections. Fantastic.

Photos from Caspari
A selection from both bold new collections, some are daring and bold, others, soft and sweet.

DABNEY LEE the preppy paper girl from Brooklyn channels her inner Sister Parish/Lilly Pulitzer/Babe Paley gene for her fun new summer designs with Caspari:

Turquoise Seahorse paper napkin

Coral Seahorse paper napkin

Greek Key Moderne paper napkin in coral and pink

Greek Key Moderne paper plate in red

Goldfish paper napkin in coral

Goldfish paper napkin in green

Goldfish paper plate in natural

PAULE MARROT I have a thing for anything that reminds me of the lively and fresh floral prints I grew up with. Loving the huge Marrot renasissance, I was thrilled to see Caspari doing the French artist's designs on their paper entertaining stuff.

Guermantes plate in multi by Paule Marrot

Guermentes paper napkin in green

Guermantes paper napkin in multi

Muguet paper plate in pink

Muguet paper napkin in blue

New Jonathan Adler Tumblers in crazy patterns come in 6 packs from Lifeguard Press.

Photo courtesy of Jack and Lulu
Throw your stuff in Jack and Lulu's Whistle Bag, with a whistle attached to the canvas, the kids will listen up and pay attention when you tell them it is time for watermelon!